modus / corpus / axis
An evolving medium moves from woodcut pressure to screen-printed bodies, notebooks, and objects. The site treats each work as a field of will, trace, and handmade rupture.
01modus / corpus / axis
The work begins without a fixed label. It follows pressure, branch, stain, and body until a usable name appears. Black, red, and white hold the first grammar; water and cold print open the counter-field.
02rooted violence / carved will
The engraved surface is not only violent; it is rooted. Branches, bodies, mushrooms, and hands make a bad-trip ecology where suffering becomes structure instead of spectacle.
03water / drift / counter-medium
The drawings are the loosening system. They let pigment move where the engraving insists, giving the site a second weather: pastel turbulence under a black architecture.
04screen print / wearable field
The shirt line is not a fusion of techniques. It is a migration: carved energy crosses into screens, fabric, and public movement without losing its handmade wound.
05object / note / portable corpus
Notebook objects extend the studio into a portable corpus. They make space for process notes, fragments, rehearsals, and future series text.
exhibition design
Dense red-black scene of figures, mushrooms, branch systems, and carved pressure. Primary visual source for the site atmosphere.
A cold blue print with a solitary figure. It anchors distance, silence, and the product-print frame.
Soft pigment field used as the counter-medium for flow, haze, and non-carved movement.
Edition logic, sizes, photos, and checkout can attach once the first drop is ready.
Use as process archive, sketch carrier, and affordable object line.